²⁰²³
︎All that is Solid melts into Air
︎An Obituary for the frame
︎On Orthography ^(ongoing)

︎Centrifuge

︎Zooom (^ongoing)

²⁰²²

︎The Spectre of Dialectics ^(ongoing)

︎Tops ^(ongoing)

︎On Film ^(upcoming)

︎The Cure of Folly ^(ongoing)

︎Slide show ^(ongoing)

︎Birds I view

²⁰²¹

︎Mostly I am interested in Shapes

︎Textspace

︎Three Pale Daffodils

︎36/x+y+z

²⁰²⁰

︎The Blind spot

︎Labyrinthine

︎Cyborg Architecture - A case of Leakage

︎Différance

︎Notes (Responses to History and Theory Lectures)

²⁰¹⁹
︎
The New Object

︎Laboratory for perfidity and sensuality

︎Sporadically asked questions

︎Drawing ~~Architecture~~

︎Architecture of Enclosure

︎Form Exquisite

²⁰¹⁸

︎Kit Discreet /
Five Gardens

︎Transactional Spaces

︎South Asian Architecture and Urbanism

︎National Memorial Design

︎Iceland Trekking Cabins Design

²⁰¹⁷

︎Bricolage Collaborative

︎Home

︎Mapping Mumbai in the times of Ambedkar

︎Metamorphosis of Narcissus

︎Fairytale

²⁰¹⁶

︎Staging a schizoid performance

²⁰¹⁵

︎Housing in Mumbai Metropolitan Region

︎Nature

²⁰¹⁴

︎Institutional Housing

︎Architecture of Structures

︎Emotive qualities of Landscape

︎Urban Regeneration

²⁰¹³

︎The Morrison Hotel

︎Visitors Centre

︎The Connector

︎Un-Furniture

²⁰¹²

︎Wandering Beasts

︎Lapod documentation

︎The Folded City

︎

︎

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