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2023
︎On Orthography(ongoing)
︎Centrifuge(ongoing)

︎Zooom(ongoing)


2022

︎The Spectre of Dialectics(ongoing)

︎Tops(ongoing)
︎On Film(upcoming)
︎The Cure of Folly(ongoing)
︎Slide show(ongoing)

︎Birds I view

2021

︎Mostly I am interested in Shapes


︎Textspace

︎Three Pale Daffodils

︎36/x+y+z


2020
︎The Blind spot

︎Labyrinthine 

︎Cyborg Architecture - A case of Leakage

︎Différance

︎Notes (Responses to History and Theory Lectures)


2019
︎
The New Object

︎Laboratory for perfidity and sensuality

︎Sporadically asked questions

︎Drawing Architecture

︎
Architecture of Enclosure

︎Form Exquisite


2018
︎Kit Discreet / 
Five Gardens

︎Transactional Spaces

︎South Asian Architecture and Urbanism

︎National Memorial Design

︎Iceland Trekking Cabins Design


2017
︎Bricolage Collaborative

︎Home

︎Mapping Mumbai in the times of Ambedkar

︎Metamorphosis of Narcissus

︎Fairytale


2016
︎Staging a schizoid performance


2015
︎Housing in Mumbai Metropolitan Region
︎Nature

2014
︎Institutional Housing

︎Architecture of Structures

︎Emotive qualities of Landscape

︎Urban Regeneration


2013
︎The Morrison Hotel

︎Visitors Centre

︎The Connector

︎Un-Furniture


2012
︎Wandering Beasts

︎Lapod documentation

︎The Folded City






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