Last Update: Ongoing


                Use filters by following categories︎︎︎
















             ︎All that is Solid melts into Air

             ︎Get, Set, Go!

             ︎An Obituary for the Frame

             ︎The Spectre of Dialectics

             ︎Tops

             ︎On Film

             ︎The Cure of Folly

             ︎Slide show

             ︎Birds I view

             ︎Autonomism / Automatism


             ︎Textspace

             ︎Three Pale Daffodils

             ︎36/x+y+z

             ︎The Blind spot

             ︎Labyrinthine 

             ︎Cyborg Architecture - A case of Leakage

             ︎Différance

             ︎Notes (History and Theory Lectures)

             ︎The New Object

             ︎Laboratory for perfidity and sensuality

             ︎Sporadically asked questions

             ︎Drawing Architecture


             ︎Form Exquisite

             ︎Kit Discreet / Five Gardens

             ︎Transactional Spaces

             ︎South Asian Architecture and Urbanism

             ︎National Memorial Design

             ︎Iceland Trekking Cabins Design

             ︎Bricolage Collaborative

             ︎Home

             ︎Mapping Mumbai in the times of Ambedkar

             ︎Metamorphosis of Narcissus

             ︎Fairytale

             ︎Staging a schizoid performance

             ︎Housing in Mumbai Metropolitan Region
             ︎Nature
             ︎Institutional Housing

             ︎Architecture of Structures

             ︎Emotive qualities of Landscape

             ︎Urban Regeneration

             ︎The Morrison Hotel

             ︎Visitors Centre

             ︎The Connector

             ︎Un-Furniture

             ︎Wandering Beasts

             ︎Lapod documentation

             ︎The Folded City














Labyrinthine

[2020]

︎︎︎ Rundgang Exhibition 2020 - Städelschule Architecture Class (SAC)
︎︎︎ Studio Tutors: Professor Johan Bettum (Studio leader), Yeon Joo Oh ( Research Associate) , Stefan Wieland (Tutor)



Labyrinthine is a continuation/extension of the project Architecture of Enclosure︎︎︎, where the documentation material which formed its archive (a set of 3d scans of the botanical greenhouses in Palmengarten, Frankfurt) is used to construct new formal reconfigurations.

The project follows a structualist framework in which the gaze of an observer who visits the Palmenhaus is used to implode the garden. The Fold, immanent in observer’s perception and vision, is instrumentalized and mirrored onto the garden space, leading to its fragmention, unfolding, unwrapping and an eventual collapse, a break down into an cubist mess which tries to accommodate the spatio temporality of the corporeal subject.

When the newly warped space of garden is materialized, the Garden becomes a Labyrinth, disorienting the Subject, making it loosen its grasp on space, thus decentring it and throwing it outside of its own position. The Subject, as a result, while being immersed, simulatenously achieves a disinterested view, & the circumscribing enclosure of the garden recoils into attaining an objecthood, thus not only revealing and challenging, but subverting the status quo of its existing power relations, and constructing an avenue for its possible emancipation.





3d print model - Top view - A single surface composite virtual garden as an interiority, with a subject posited at its centre


3d print model - Front view - Green representing the visible areas while the light pink stands for the invisible, the backside or the occluded part of the single surface











Model of the composite garden cut apart into 8 pieces like a Pizza (each piece with different material, being one feild of view of the observer) and restructured as an unfolded panorama











Model of the entire garden reconfigured.
Dimensions: 85x85x10 (cm)
Material: Clay, Paper Mache, 3D print, Mdf, Electronic turntable.







Labyrinthine was a part of the exhibition ‘If a Traveller: Imaged Horticulture’, which presented digital excursions into gardens in Frankfurt and beyond. The project began with excursions into the horticulture realms which were registered by extending human vision with artificial eyes. The results were presented in the forms of dioramas and/or sculptural objects. The installations explored the subtle relationship between the representation of space in forms of images and how these images give rise to our spatial ‘gestalt’ through visual perception. Eventually, each object was dressed with an additional image using Augmented Reality in order to fully exploit the tension between the representation and the construction of the ‘real’.

‘If a Traveller: Imaged Horticulture’ used the multitude and richness of forms in gardens to feed the architectural experiments in the studio. These experiments centre on architectural space in relation to aesthetics and system of representation. The work explicitly engaged with formal question within the discipline through the agency and power of contemporrary technology.